Wednesday, 27 April 2011

Current projects

1) Grazia and Orange fiction prize The Deadline, due by 10th May
2) Radio play You Can Never Go Home
3) Finish short story from CSM class for compeitions, various deadlines throughout June
4) Get feedback on Magical Story for flash fiction competitions

Other actions involved reading a script for someone and I also need to continue listening to radio plays.

Radio plays

A good interview in the BBC Writersroom site about writing scripts for radio.

Scrapbook - life drawing class

Last night I went to a life drawing class. Kind of weird and not at all what I'd expect - instead of a church hall with some middle aged women it was in a bar. We all sat around in a room while a young South American boy called Fernando removed his pants. Tribal music played in the background in the hope of making our pictures 'more primal...more animalistic.' Not sure if it worked. Mine were rubbish. And I spent most of the time feeling sorry for poor Fernando as he winced and clenched his way through each pose.

Overall the experience was very therapeutic. I imagine that's how I'll feel doing art therapy if I'm ever institutionalised.

More short story competitions

Flash 500
Quarterly competition
http://www.flash500.com/index.htm
£5 entry fee, 500 word limit

Lightship
http://www.lightshippublishing.co.uk/
Deadline 30th June 2011-04-27 Entry fee £12, 5000 word limit for short story comp, 600 word limit for flash fiction

Fish short story prize 2011/12
http://www.fishpublishing.com/short-story-competition-contest.php
Opens June 1st, closes Nov 30th 2011
Entry fee 20 euro, prize 3,000 euro
5,000 word limit

Manchester Fiction Prize
http://www.manchesterwritingcompetition.co.uk/fiction/online_entry.php
Deadline 12th August
Entry fee £15, prize £10,000
3,000 word limit

It’s worth noting that the Manchester Fiction Prize guidelines say you cannot enter that story in any other competition at that time. Some of the others may state the same, so worth checking before entering.

Wednesday, 20 April 2011

Love (and cliche)

A while ago I wrote a short story that got a very positive reception at my first St Martin's writing course. On the topic of love it was something I never expected to be good, as the subject is a tough one to balance between sentiment and reality. I read my story aloud, happy with the result but not expecting much. It was greeted with a full room of positive responses, many saying it was their favourite thing I'd written. One asked if it was based on The Notebook (it wasn't) and if I'd seen it (I hadn't). It was just on Film4 this evening so I checked it out. And, I'll be honest, I cried like a baby. Though I'd like to caveat I've had a stressful week at work, nothing at all to do with the affecting tale of enduring love. Honest.

Anyway, watching this inspired me to revisit the story I wrote back then and I can really see how much improved my writing is now. Quite aside from the technical issues of slipping in and out of tenses and points of view, the content feels loose and flabby. Paragraphs flop around and sentences tie themselves in knots. I might take some time to rewrite, because I like the story and the characters feel very right. And I can totally see the similarities with The Notebook*, which made the film sadder as I felt I already knew the characters' story but this showed it to me in technicolour detail. The story is below, and I'll post again when I've rewritten.

*(written by Jeremy Leven, also wrote the screenplay for My Sister's Keeper)

Every Saturday they would watch a film. Not like years ago when they would sit in the darkness of old-fashioned cinemas or novelty Americano drive-ins. Ellen would lay her coat over their knees and Jack would squeeze her hands secretly underneath. One time he traced a prediction in a circle on the fourth finger of her left hand. Now their coats were replaced by a fleece blanket, and on her fourth finger sat a tiny diamond among the folds. Tonight Ellen had chosen an old favourite. She was tired and it slipped on like an old jumper. The first notes of The Sound of Silence filled the room. They had the television a lot louder nowadays, the plucking of a guitar soothed her and she was transported.
For dinner Jack microwaved some lamb, which nestled in a plastic box amongst new potatoes and green beans. Now just the two of them were left they had little enthusiasm for a full roast, but liked a pre-prepared treat from messieurs Marks and Spencer. The meat smelt of thyme and rosemary, filling any empty corners of the house. Once they finished eating they paused the video; she washed, he dried. Another benefit of the little plastic dishes was no pans to wash, but Ellen insisted on eating off a proper china plate, and dressing for dinner. Tonight she wore a blue skirt, accessorised with grey furry slippers. Sitting back down Ellen leant against the arm of the sofa, legs entangled, and laid a blanket over them. Just as they had done for fifty years.
They had met at a party, a mutual friend’s birthday, and Ellen had gone rushing down the steps thinking him someone else. She greeted him like a whirlwind. She kissed him on both cheeks and laughed at her stupidity. That night she was wearing a summer party dress with halter straps snaking up around her neck leaving her shoulders bare and white. The dress was covered in sprigs of yellowy flowers, which Jack told her looked like scary faces when he squinted. She told him to look at the geometric patterns in the curtains, which she thought looked like grizzly bears. Then, later, called him up to the bathroom to show him a damp patch of wall where the paper was peeling. “Look” she had exclaimed “there’s the monkey.” She held his arm out to trace a pattern in the air “its little tail is this peeling bit of paper and its eyes are those two dots of mould.” It wasn’t the most romantic thing in the world but he pushed the bathroom door quietly to and kissed her face, reaching down to hold her hands by his side. It was inevitable really; all evening Jack had followed Ellen around, hand resting on the small of her back as though they were already a couple. If she noticed, she didn’t acknowledge it and let him wait patiently by her side as she carried on greeting friends. She wasn’t the prettiest girl in the room, he knew that, but she was the one who laughed the most.
Dustin Hoffman and Katharine Ross sat on the back of the bus, fleeing. At this scene a tear slips down Ellen’s cheek and she smiles at Jack. “Silly” Jack whispers.
They had got married in the spring on 1958, she was in love with the day, with life and with her dress. She wore a tight bodice and sweetheart neckline, with a full skirt reaching her knees. Layers of organza underneath swished when she walked. Ellen wouldn’t keep still for the wedding photographs, and several caught her doubled over and clutching at her new husband. For their first dance they whirled around and around, her skirt catching and flying out and Jack could never remember being happier.
When the film finished they danced up to bed. Ellen liked to sleep early, curled at his side, so Jack read until late and slept until later. When they first moved in together Ellen would wake up early every Saturday and get up without rousing Jack. She would do whatever errands needed doing for the day, cleaning or washing, and often buy breakfast. Once she was done she would go back upstairs and slip into the bed beside Jack. He remembered in summer when they lived in Devon she would sometimes cycle to the shops. Coming home she would have some eggs and bread, or strawberries, in her basket and ring her bell to let him know she was back. He would pretend to be asleep and they would lie close and warm listening to the birds outside. “Just another half an hour” one of them would wheedle, stopping the other who felt guilty that the day was carrying on without them. Some days, right at the beginning, they would stay in bed till two or three, reading the paper or bringing breakfast upstairs. This left pink sweet-smelling trails of strawberry across the pillow and breadcrumbs on the sheets.
On Sunday morning Jack woke up early. Or at least he thought it was early, because the room was still. It took a moment to realise the sun was beaming through a gap in the curtains, like a fat, accusatory finger telling him to get out of bed. Ellen was still lying by his side. He wasn’t surprised she was still there, he had somehow expected it. After a moment he got out of bed quietly and slid open the doors to their wardrobe.
Jack considered the dresses carefully. He was not good at this. Every choice she made was beautiful, and he knew it was a dressing up box of vintage treasures. “This is for Gracie and Rachel” Ellen had always said “when they’re old enough to appreciate a well-made Biba or Mary Quant.” Jack finally selected one in a playful purple, with ruffles at the neck and shiny buttons spilling down the front. It was the same colour she wore when he proposed. He hung it carefully on the outside of the wardrobe before carefully getting quietly back into bed beside Ellen. He lay on his side, stroking her shoulder, exposed over the parapet of the duvet. He reached out for her hand, warming it with his fingers. Just another half an hour, he thought to himself.

Saturday, 16 April 2011

Scrapbook intro

Continuing from my previous blog on observations that might prove useful one day in writing I've decided to keep 'scrapbook' blogs whenever I notice or hear something that catches my imagination.

For example at a gig this evening I met someone who works as a fragrance tester. The job of perfumier is captured incredibly in Patrick Suskind's Perfume (if you haven't read this I urge you to. Read it and revel in his use of the word olfactory. Amazing, amazing book) but it didn't occur to me that these modern day perfumiers and testers exist. They are usually trained but this girl had a natural talent for sniffing out scents, as discovered in a test during the interview process. I said I imagined it isn't something you realise you have an aptitude for but she replied that she'd always known she had a delicate sense of smell. How strange that you could know that - I don't know what smells are like from someone else's point of view and assumed by nose is neither more nor less finely attuned than the next.

A police officer friend also told me about responding to a call today from a mother on behalf of her grown-up son who was threatening to commit suicide using a television cable. My law-enforcing friend spent several hours with this man, who had only hours before viciously beaten a love rival and was now feeling guilty, during the process of medical assessment and sectioning. The PC herself having also suffered with depression was able to sympathise with this man, calm him and urge him to request anger management and talking therapies. The officer commented to me how strange it felt dealing with someone whose life is so different to your own but to be able to understand the exact symptoms and feelings he described.

That's enough for now. And I should probably point out I'm slightly worse for wear. Will probably read this tomorrow and think: what a pretentious c*nt...

Wednesday, 6 April 2011

A Magical Story

Following on from the evil relay story I worked on for OZON magazine a few months back we've decided to keep the momentum going and keep relaying stories around. I was sent this opening to work from:

‘I made your favourite,’ Bella said. She walked into the dining room holding up a cake stand, on it something wobbled: a creamy white meringue shook on top of sunshine yellow base. It was thick, the colour of egg yolks, all held together by a pastry crust. It danced in its stand. ‘Lemon meringue. Just for you.’ She sat the cake down in front of George with a plonk. It gave a final jiggle.
‘Oh … magic,’ he said, thumping his hard, round stomach. ‘And what’s this treat for?’
‘Just felt like it,’ she said, leaning towards him, her decolletage wobbling like the cake. Her tea-dress had a smattering of buttercups over it, pulled sharply in with a belt at the waist.
She sat down opposite him. ‘Now I want to watch you have your first bite. I stirred in something extra special with the lemon curd.’
George picked up the knife and cut himself a slice. ‘And one for you?’
‘Oh no, I eat too much while I’m cooking.’ She put her hands on her belt. ‘Got to watch me figure.’
‘Too right, Bells, me too!’ he said and they both laughed.
Bella touched the side of her mouth, ensuring no lipstick was smudged.
George stabbed a large wedge with his fork. ‘This is a treat, you are good to me,’ he said, his eyes on the cake, his mouth watering as he opened it wide and shoveled the cake in. ‘Oh wonderful,’ he said, spraying as he spoke, ‘what did you say went into this? You are a little wonder!’
‘Oh, I just concocted something with me special potions,’ she said, and laughed with control while she watched closely as George’s expression began to change. It went from elated to confused to something quite peculiar. She leaned forward, eager to see if it was working. That little bit of something to create a little bit of change … she thought she even saw a little spark in the air, a little shift in the atmosphere. She held her breath.


And have just responded with the below:

As she held her breath, his puffed out from every orifice with a squeak. His face morphed, his eyes popped and bulged. ‘Ohhh’ he quivered ‘I feel ever so queer all of a sudden.’ Bella screwed her mouth into a pout of mock-concern. ‘You do look a little peaky.’ She lay her chubby hand across his forehead, feeling pulsating strong enough to clack her diamond rings together. ‘Yes,’ she murmured with delight, ‘you don’t feel at all well.’

As George’s groans got louder Bella’s smile got broader. He dropped from his seat and rolled on the floor in pain. ‘What was…in that..cake?’ he gasped from his prone position on all fours.
‘Just a special ingredient’ she replied.
‘You’ve poisoned me, you’ve poisoned me!’
‘It’s not poison. It’s pixie dust.’ Bella giggled.
‘What IS it?’ George barked.
‘It isn’t dog food either’ Bella was enjoying herself ‘though you’ll wish it was!’
‘Tell me…’ he whimpered.
‘And I haven’t cooked your son in a pie. Classical revenge was never for me.’ Bella said.
With infuriation George threw his head backwards and howled. With that Bella noted that his nose was growing longer and his hair much fuller than before. She reached out to scratch him behind his pointed ears. How he had wished for years that his balding head would once again be thatched. George growled. ‘Now now’ Bella chastised ‘don’t bite the hand that fed you.’
With alarm in his amber eyes George turned and in a gruff voice asked ‘am I – am I a werewolf?’
‘Don’t be silly’ Bella replied, with a tap on the nose, ‘werewolves don’t exist.’
Crouching down next to him she said ‘this is something much more special. This is magic.’
‘Magic?’ He yapped.
‘I thought it was time for a little lesson in fidelity.’ She reached for a tightly wrapped ball of kitchen foil lying on the counter, the surface reflected in the sun and caught George’s eye.
‘There Fido – fetch!’ shouted Bella at her new pet.


Watch this place for the next installments.

'Spotted'

One main dollop of advice that is consistently doled out to aspiring writers is WRITE. Sit down, grab yer pen and get cracking. It's also frequently advised that you should carry a notebook round and jot down ideas and observations as they come. I don't do this. Which is, quite frankly, a glaring error. I just don't have the room in my handbag once I've stuffed it full of tissues, receipts, leaky tubes of lipgloss and my damp umbrella. However yesterday morning as I strolled up Charing Cross Road from Leicester Square tube station a few things struck me that I thought I should note down.

- A funeral car rolled past, shiny and regal in the sun, with letter-wreaths spelling out the word B-A-S-T-A-R-D. That tickled me. It undermined the whole stony-faced funeral procession and humanised it. It's not for everybody, but I like that two-finger salute to tradition.

- A rather gruff looking eastern european man carrying a child's plastic see-through frog umbrella.

In hindsight the wreath may have spelt out B-E-S-T D-A-D, but I prefer to stick with my original misinterpretation.

Maybe one of these will pop up in a story somewhere, sometime.